
Here at Macha Mexico, we’ve been busy interviewing some amazing queers and feminists working on interesting projects in Mexico City. By translating and publishing this series of conversations, our hope is to introduce their voices and ideas to new audiences. It is with great pleasure, then, that we inaugurate this series with Mexican/Argentine tropical-punk band the Kumbia Queers.
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After meeting at the Belladona festival in Buenos Aires in late 2006, five Argentine girls and one Mexican got together to experiment playing cumbia, and the Kumbia Queers were born. Although they’ve been playing live shows for a little over a year, all are veteran musicians; bassist Patricia “Kumbiadaver”, guitarrist Pila “Zombie” Jackson, and drummer “Inspector” also play in the Argentine queercore band the She Devils. Strumming the charango is accoustic punk musician Juana Chang, and lead singer Ali “Guaguanco” is a successful DJ and front-woman for Mexican dyke punk band the Ultrasonicas. In the past year, the Kumbia Queers have toured in both North and South America, and the 2007 video of their cover hit “La Isla con Chicas” was considered “Revelation of the Year” on YouTube and currently has over fifty thousand hits.
We sat down with the Kumbia Queers in Ali’s apartment in Colonia Doctores a few days after their packed show at the Centro Cultural España. Over a bottle of tequila we discussed their opinions about the difference between punk and cumbia, women in the music industry, and the meaning of the word queer.
MM: So, why “queers”?
Juana Chang: Why not?
MM: The name “Kumbia Queers” is very political, but is also very bilingual. It’s almost like you have to have all these English and Spanish references to really “get” the title [with its reference to established male cumbia bands like the Kumbia Kings as well as to the word "queer"].
Patricia Kumbiacadaver: For some people, it’s the word “kumbia” that gets their attention.
Pila “Zombie” Jackson: For me, it’s really great. For me, it’s political and at the same there is no need to explain anything. Those that understand, understand and those that don’t—maybe say, “What is queer?” And I tell them it’s everything that isn’t normal, that isn’t what they impose as “normal.” I think it’s something that is impossible to define, and, for that, I love it. It’s so many things.
Ali Guaguancó: First came the name, and then came the band.
MM: Has the ambiguous nature of your name allowed you to get gigs in places where you wouldn’t otherwise? Has the word “queer” in your title kept you out of traditional cumbia venues?
AG: No, because in Mexico or in Argentina it’s not likely that someone would know what “queer” is. For someone putting on a show, the least important thing is the name of the band. What’s important is whether they will draw a crowd or not.
JC: To me it doesn’t seem that important.
MM: We noticed that at your shows you say stuff like, “Are you ready, chicas?” even though the crowd often has more men in it than women. It’s as if you were only addressing a specific part of the crowd…
PZJ: The men enjoy themselves too. Chicas, chicos… it doesn’t matter to them. To me, what’s cool is that everyone is included, which doesn’t always happen. It’s like a party for everyone.
MM: So, for you guys, can the word queer include straight people?
I: Yeah, absolutely. Maybe there are some straight people that don’t fit anywhere. Queer means so many different things, and no one has to feel uncomfortable.
AG: [Queer] is an urban tribe made up of the people that don’t want to belong to any tribe.
MM: We heard a paper by Canadian academic Jasmine Rault in which she discusses your music as an alternative to the melancholy and apathy that seems to characterize a lot of American queer discourses (music, culture, activism…). What do you think?
PK: [Seeing our show,] she was struck by what she saw and processed it in a way that brought in everything she’s studied about that. But playing with the band, actually being there, everything feels more spontaneous.
JC: We know that there is a political thing here, but we didn’t conceive it as something political.
MM: So how did you go from making punk and rock music to playing cumbia?
PK: I have no idea… The day they began to play, it was a very hot day, I was depressed… I went over and everything came naturally. It just seem very natural to me…
PZJ: We all have our punk bands. I think it happened sort of the same way. For me it’s amazing to grab the guitar and sing a song with all your anger and your sadness, sing about how ugly things are out there. For me, that’s great. And then, to play a song just for fun and debauchery is a trip. I love being able to do both things. If I had to do just one… that would be cruel. If I had to only do the fun part, I’d feel like the protest was missing. Doing both things is fucking awesome.
AG: It’s a response to euphoria…
PZJ: Darkness comes along with all that fear and sadness. So, the more diverse the better.
JC: [by doing cumbia] I discovered that I like things that I would never imagined.
MM: What’s it like being an all-girl cumbia band in a “man’s world”?
I: I’v never had a problem.
PZJ: I think it has to do with your attitude. Every member of the band is very grounded on stage.
PK: In Argentina, some time ago, it was more difficult for girls to go up on a stage. I remember, when I was playing with another girl, the audience threw unimaginable things at us, including stones… This was during the dictatorship.
AG: I think now [sexism in music] is much more pronounced here in Mexico.
JC: You realize it when you see the husbands here doing all the sound tech stuff. I’ve always had to plug everything in by myself!
AG: You see that no one helps us carry our equipment. That’s a luxury we don’t give ourselves.
PZJ: Joan Jett said in an interview, “No one asks me what kind of pedal I use”, but that is also part of what’s on your mind [as a musician].
PK: And we do talk about that stuff in everyday life…
MM: So, there seems to be this double standard for women in rock, that you have to be beautiful, but if you’re too beautiful, then no one takes you seriously. What’s so cool about the Kumbia Queers is how you guys seem to play with being beautiful and being ugly, like how when you play “Kumbia Zombie” you tease the audience by taking off your shirts and revealing Ali’s red lacy bra, but then put on these ripped up zombie outfits.
PZJ: But we are gorgeous! (laugh). From my perspective, I am a woman, in my own way, like Ali, like Patricia… Patricia is the “femme” of the band, but with those huge hands she has, she can slap you on the face and kill you, you know?
MM: You guys get laid in your shows?
PZJ: No, we are very professional. (laugh)
MM: What do you think about the lesbian scene in Mexico?
PZK: I don’t know it.
I: I don’t know what “lesbian scene” means, neither here nor in Argentina. I am not interested in it at all.
AG: The lesbian scene is very boring. It doesn’t catch my attention, or my curiosity, I just don’t feel identified with it.
PK: Like any other groups or urban tribes, or however you want to call them, there are people who have to turn to different ways of identification in order to come out of their shell, to feel safe, to feel more comfortable.
AG: [The lesbian scene] is too formal, too serious.
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JC: They should lower their guard.
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PZJ: I mean, I do think there is homophobia, but I don’t see as a good response to close yourself and create a circle with rules…. That doesn’t motivate me. Back when my sexuality was first exploding, I explored a bunch of places [in Argentina's lesbian scene] but I ran away from them. I didn’t want to be a part of that.
AG: It’s like, for gay men… If they don’t like [gay icon] Paulina Rubio, what can they do…?
PK: That’s why we are a group that loves many different kinds of people….
The Kumbia Queers have said goodbye to Mexico City for the summer, but are currently on tour in the United States, with shows coming up this week in Chicago, Bloomington, and New York City. We highly recommend their music and seeing them live is unforgettable. Check out the Kumbia Queers’ myspace for tour dates.
I love KQ!!! they are awsome!!!… I just discover your blog and I like it… but I agree with KQ about the Lesbian scene in DF… it is just to fucking serius… i used to live in Chicago and i loved all the gay night life… but here i got bored really fast.
I am a mexican visual artist, and my girlfriend is mexican-american… check out my blog… maybe we can go out together some time… and you can show us the macha gide alive!
paracaidasinterno.blogspot.com
Hi Anna,
Just wondering if you were at the tocada last night at Fontana’s? Also: http://www.timeout.com/newyork/articles/lgbt/61671/here-they-cumbia
I was yesterday at Fontana and these girls rocked (kumbia-ed?) the house!! I love them so much since I first saw them in Mexico. I wrote a little something about them in my blog, come visit!
Congrats for Macha Mexico. You guys have an excellent blog!
pongansesusbotitas.blogspot.com
oh i just hope they play while I’m there next week!
Thanks, Violeta for your comment. I’m so glad you liked their show. I was on cloud nine throughout their whole set. And the piece you wrote is really interesting.
xoxo
when are they coming back to the US. more specifically texas… they need to play the white rabbit in san antonio. anybody have a link to a page of their tour dates?
You can get more information about their tours looking at their myspace ( http://www.myspace.com/laskumbiaqueers), their fotolog (http://www.fotolog.com/kumbiaqueers) or joining to their facebook. Otherwise, they are totally open to any invitation, in case you know about a place that would like to have them, and of course, pay for it!
That fiery cumbia inside my belly!!!
Escarioka